A Poetry Reading to Support Reproductive Justice
In response to the 2022 Supreme Court case Dobbs v. Jackson Women’s Health Organization, which eliminated the constitutional right to abortion, The Asian and Asian American Classical Caucus (AAACC) organized a fundraising event to support reproductive justice in conjunction with Classics and Social Justice, Society for Classical Studies (SCS) Committee on Gender and Sexuality in the Profession (COGSIP), Eos, Lambda Classical Caucus (LCC), Mountaintop Coalition, and Women’s Classical Caucus (WCC). The fundraiser took place during the 2023 AIA/SCS Annual Meeting in New Orleans and featured four poets: Skye Jackson, Tiana Nobile, Karisma Price, and Cate Root. All proceeds from this event went to the New Orleans Abortion Fund.
We provide below more information on the four poets and the poetry they read for the event. We also welcome you to explore and support local organizations in New Orleans (list curated by Allison Emmerson at Tulane University), which are fighting for equity and reproductive justice. We encourage our members to donate where they feel most comfortable and also to our WCC Equity Fund so that we can continue to support our members in need.
Featured Poems
Our guest poets have generously allowed us to share excerpts from their poems. Scroll down to read them.
Skye Jackson
-
the day i was born
my father does not remember
the day i was born
the events, i mean
questions that were asked of him
like when my mother’s placenta
burst like a supernova
and the doctor asked him:
who would you like me to save?
your wife or your daughter?
after learning
that my parents weren’t married
& that my father
had no say in the matter,
the doctor turned to my mother:
we may very well lose the baby, he said.
who would you like me to save?
you or your daughter?
my mother closed her eyes,
horrified her unborn child
might not survive
as i began to drown inside her,
like one of those children
lost in the dark of the river,
when she turned to the doctor and said:
we are both going to live
we are both going to live -
#medusawasblackyall
After Benvenuto Cellini, “Perseus with the head of Medusa,”
bronze sculpture
perseus, hold my dead lips
up close to your ear.
let me tell you a secret
with my split tongues.
once, long ago,
poseidon held a fistful
of my black locs
just like this.
on the floor of the temple,
fingers pulling at my scalp,
he inhaled me; my body
soft from lavender and holy oil.
my robes, cast off and torn,
spilled down over the altar
and even the candles
dimmed in respect of my shame;
my brown skin somehow paled
in the fading light.
the last thing i remember
before the snakes came,
before my body was lost
both to the sea and to knowledge:
a reflection of myself,
in the eyes of that cruel god.
the imprint of his hands,
hot and red as the sea on my neck.
the chill of them
first touching my face –
the press and dead fish stink
of that salty mouth,
lips rough and cold
as the jagged rocks of the deep
against my collarbone.
picture a girl built pretty and open
like a temple, only to be destroyed.
be kind: you are looking at ruins
further ruined.
what i mean to say
is that the swift kiss
of your sword on my neck
is not unfamiliar, perseus.
i have tasted the sharp, quick
pain of a man before. -
no foul play suspected
for kori gauthier
“Everyone warns us off the rocks. / But what will keep us from the river?” – Eugenia Leigh
in a new car on a bridge overlooking the mississippi river, you left your phone & purse on the passenger’s seat. you did not take the keys out of the ignition. you left the car, an eighteenth birthday present from your parents, still running. you rushed to your blind date with death as though it were the dental appointment scheduled in your google calendar for the next morning. there was no need for seduction. you were a sure thing. so you stood on the cement lip of the bridge and cast yourself over the guardrail without a sound, like a fishing line, gliding into the muddied water.
your headlights were still on as the tow truck arrived. no one, not even the tow truck driver, stopped to wonder why. lights on. car running. phone & purse inside. engine still breathing, though you were no longer. when he rigged your car to his truck without so much of a backward glance, he confirmed your haunting: no one cares. no one cares. i imagine your ochre eyes: beautiful & sick with tired, anchored to the water below. tell me this: if no one is around to hear the sound of a brown girl plunging like a dagger into a river, did she ever even fall at all? no foul play suspected, is all that the papers will say. out of respect for the family, the police chief refuses to speak on the topic any further. they will not call your death a suicide out of respect. the drowned girl silenced twice. i ask myself: where do you run when nowhere, not even home, will suffice?
i was like you, once. saw the river as comfort, a dark crib, to nurse my suffering. the water, stygian, & full of possibilities, delicious silence. what if i had driven off the bridge, as desire called me to, under the blurred veil of my tears? a wedding of brown water & browner skin. would i have beckoned to you from the river bottom on a jagged marital bed of rock? the current pushing our bodies, together, as the curve of the moon smiled down at the light of its own reflection on the water. -
sade & stevie sonnet sequence
i listen to sade with men i love
foolish & wild, i whisper forever
glistening like diamonds, so wet, in their beds:
my spent heart, cold, shakes the four posts again
don’t mock me as i melt into my gin
it starts with record players and hot nights
i find the wrong ones & fail to do right.
the wine hugs as you call me a good girl.
desire gussies my throat like ruined pearls.
there are depths to the sorrow her voice holds:
sometimes i think you’re just too good for me
i beg for a cage but you set me free
i know i’m about to have a breakup –
stevie’s voice through the cvs speakers
the cvs dims as stevie’s voice spins:
when you build your house /then please call me home
i buy plan b & pads i hope to need.
the dark blood comes as i drive into work.
the psychic will call it a miscarriage.
my soul will call it an answered prayer.
i look for a man who was never there.
i call in sick as my bent body roars.
there are certain debts only women pay.
who did i destroy? myself, you or us?
years later, i don’t remember his name:
the man who stood outside as i shed you.
sade’s voice purrs through my studio walls:
will you keep bringing out the best in me? -
sugar daddy sonnets (excerpts)
i dreamt of you so long before we met
a rich mystery man on a dark street
offering me the world for just a taste
of my swollen clit, plump brown breasts beneath
my dress; you came to the titty bar &
watched me dance with another man, grinding
on the hot roof top. did you have your fun?
you asked as you ordered me my first drink,
something pink in a cup: dirty shirley
sweet & cool on my lips; you watch me sip
as lightning flash cracks up the key west sky.
how strange you found me on a street corner,
counting my loose change outside a sex shop.
we head inside the bar as the rain falls.
the night blinks & the beach whispers its speech.
the full white moon so close, almost in reach.
i throw off my sandals & hike up my
dress, wade into the sea. saltwater
swallows my thighs. it’s 4am, sunday.
workshop in 5 hours & i haven’t
even slept, watching you bereft in the dark
waves; night so quiet i can hear the sand
breathe. you tell me you’ve never had a night
like this, though you were married once before.
you ask to hold me as we float in deep.
i oblige to see your illusions rise,
that look in your eyes. this, you say, the best
night of your life & lead me to your room.
best night of your life led me to this room:
the pool outside your window, glowing blue
like a turquoise tomb. i tell you i need
to use the bathroom; you laugh & say girl
just pee on me, as you sit on the bed.
i’ll pee on you for three grand, nothing
less, i say, you ready to write that check?
you’re silent. i smile. guess we’ve found our max.
i ask you for an uber. clearly, it’s
time for me to go; sand stuck between my
toes. i leave, flush, though you ask me to stay.
in the car ride back, the night flees, fades.
once home, i peel off my dress & shower.
i wash the night & you away, so quick. -
grocery list for when my ex comes to visit
seltzers of all flavors
that green salsa he likes
avocados
wine (on tap)
spaghetti sauce
bubble bath
lavender epsom salt
pillar candles
whiskey for balcony hot toddies
condoms
black teddy
sheer lace stay-ups
various meats (he’ll want steak)
coffee
bread
another mug
to finally place
next to mine
on the shelf
black beans
brown eggs
tissues
matches to start
a fire
neither of us
will know
what to do with
a gift for him: lucille clifton divination cards
(later in my kitchen
he will pull one card from the deck
it reads:
today we are possible)
exactly three beers
the strength to watch him walk
through the door
the acceptance if he chooses
to walk out of it again
& scissors
to cut
down my braids
when he flies out
on monday morning
Tiana Nobile
-
Cleave
Tiana Nobile read from her debut collection, Cleave, which grapples with the history of transnational adoption, both her own from South Korea and the broader, collective experience. In conversation with psychologist Harry Harlow’s monkey experiments and utilizing fragments of a highly personal cache of documents from her own adoption, these poems explore dislocation, familial relationships, and the science of love and attachment. -
/’mīgrent/
Of an animal, especially a bird. A wandering species
whom no seas nor places limit. A seed who survives despite
the depths of hard winter. The ripple of a herring
steering her band from seas of ice to warmer strands.
To find the usual watering-places despite the gauze
of death that shrouds our eyes
is a breathtaking feat. Do you ever wonder why
we felt like happy birds brushing our feathers
on the tips of leaves? How we lifted our toes
from one bank of sand and landed—fingertips first—
on another? Why we clutched the dumb and tiny creatures
of flower and blade and sod between our budding fists?
From an origin of buried seeds emerge
these many-banded dagger wings.
We, of the sky, the dirt, and the sea. We,
the seven-league-booters and the little-by-littlers.
We, transmigrated souls, will prevail.
We will carry ourselves into the realms of light.
Cate Root
-
Peter’s belt
A clown goes on a podcast about grief
He’s Catholic as Catholic can be, the youngest of eleven children
When his mother died, the first object of hers he claimed was a crucifix
Simple, that had hung on her bedroom wall
He quotes Tolkien, “What of God’s punishments are not gifts?”
He calls his grief his tiger
A dangerous pet to keep in your house, a pet you would not choose
But his nonetheless
He spoke of being the last one left, who
When asked whether a funny story is true, says, I don’t know
The last, the keeper of the heap
The clown’s son needed a belt, and the clown said, I have one for you in my closet
His son’s name was Peter
When the clown gave Peter the belt, Peter asked, whose is it, and the clown said
Peter’s
But it was the other Peter, the one the clown hadn’t seen in forty years
As he shuffled from place to place, carrying his dead brother’s belt
I could pretend here that the belt would leash the tiger
But we all know that would be a lie -
The real work
Have a feeling and then breathe
Sounds simple, human,
I want to write about what it is like to be alive
While my mother is dying, but I don’t want to write about that
Do you know that the dead do not belong to us? That their names are not ours
To make our own names off of? I just wanted to ask. Sincerely,
Tell me about who you love, please tell me how it
Tastes when you remember the loss, when it steals
You away from yourself, can you please mix in more sensory details?
Ernest Hemingway, drunk or not, said it best:
It’s easy to write, all you do is sit at the typewriter and bleed
How did you learn how to bleed yourself?
Do you take care? Do you bring towels or ligature?
Do you want me to talk more about my mother dying? Is that more literary?
She has been dying for four years already and we can’t count how many more
I promise I have tried to count, I promise I have all the proper degrees and calculators
I have made so many spreadsheets to add up how much grief I need
To make a difference
I try to remember that all day we walk on the dead
I have spent so many years thinking of what I do not want to tell you
About my mother, my family, these stories that really belong to others
What I actually want to tell you about mother:
(She’s beautiful, she’s kind.) She has lived with cancer inside her
More than once. She is my model for patience, but I honestly wonder if maybe
She had to work at it as hard as I do
She tells the truth but you have to prove you’re actually listening
(Truth: I don’t know when I’m truly describing my mother and when I am simply trying to
Describe myself with affection)
I have to try to understand this as it happens: Is it that I don’t want to write about
My mother’s death, or her dying? Do you see the distinction? I am the only writer who loves her
Like this. She is mine to hold, to carry into forever. -
People take care of me
My neighbor tells me she woke up in the night
Worried I didn’t have a proper mask. She’s going to give me two
Sets. I say thank you. I don’t tell her that I was worried
She would be mad at me, for anything or nothing. Just that
Kind of feeling. Actually, I was worried because I found a dead
Mouse in the courtyard, and I didn’t know how to deal with it, so I just
Stepped around it for two or three or four days, who can count,
At some point I saw the maggot line. I didn’t know how to deal
With it. I knew to bury it but I couldn’t understand how or with
What, do I just use my hands, what use are my hands? This is how
It’s been going in my mind lately. So I was afraid she was going to say
Cate, your cat is such a problem and so are you, and it’s ridiculous that
I would think that because this is the week I told her my mom is dying, so
No one is trying to scold or punish me, but I keep bracing, bracing.
My neighbor cried when I told her. She lost her momma last year.
I hope I wrote a note, even if it was late. I guess today or this week there still is time.
I think there is still time. I am bringing my note cards and my stamps to my mom’s
House. I am wearing masks and big sunglasses on the plane, and I am crying, and my
Nose is starting to run. I keep deciding to close my eyes. My neighbor, the one who woke up
Thinking about what care I needed, she told me to wear big glasses, she told me that
My eyes are wounds. She doesn’t know how right she is. I have never been able to stop
Touching my face. I am still doing my best. I wanted to end by telling you one good thing.
Last night my friend came in the door and immediately washed his hands and said
Did you see the mouse out there? I buried it. -
Waste more, use more
A prime example: cut the top third off the baby bell pepper
You don’t need to waste time seeking out errant seeds
You are allowed to waste items in your kitchen if you are trying
Not to lay waste to your whole insides
Let me give you another: I cut the cilantro straight in half
I don’t save the stems, which can flavor broths
I don’t make a cilantro oil or a bell pepper vinegar
When the trash lid swings open, I’m free
I am going to try to describe where I come from without using the word
Pathological; my mind scans all available options, calculates the margin of
Errors, when I don’t recycle or throw a cigarette butt in the street
My favorite moment of a late night is when I realize
I don’t want the rest of this drink, and I clang it
My big powerful goodbye, my pride in pure
Recognition of my rarest state: a respite without want
So I chop the ends off the cucumber
Yesterday I tossed an entire pint of raspberries, black-spotted
I chose not to sort through the muck
Trust, I already have enough